The Dallas Opera 2021-2022 - Madame Butterfly/Flight

17 FLIGHT FROM THE DIRECTOR By Kristine McIntyre When I was quite young, my grandmother and I would travel on planes together. Often it was just to visit family in Florida or Chicago, sometimes to go back east for the summer, but to me they were like adventures to another world. I was that kid with my face pressed up against the glass, watching the planes take off. I collected wings from the different airlines and loved talking to pilots. I was sure that the plane would land not in Illinois but somewhere truly spectacular and that getting there was part of the fun. Although it seems almost inconceivable in this age of endless weather delays and TSA pat downs, air travel was once a great adventure that promised limitless possibilities. This unbound future is what draws all of the characters in Flight . For them, travel is not only about transportation, it is actually about reinvention. Whether seeking to rekindle a marriage on the rocks, start a new career, or pursue a holiday romance, this story is ultimately about our constant human need to recreate ourselves and our relationships. The terminal in which the travelers become stuck serves as a crossroads where their lives and dreams and fears intersect with one another. As the storm becomes more intense, so do their troubles, the outer turmoil of nature reflecting the human dramas within. PHOTOS: DUANE TINKEY What is so fascinating about Flight is that each of the characters undertakes a personal, spiritual journey without ever leaving the terminal. In spite of, or perhaps because of, the storm that grounds them, all of their hopes for the future literally take flight. In the course of one long day and night, everything seems to happen to them: amnesia, birth, death, marital separation, sexual exploration, grief, and the discovery of their shared humanity. They undergo the entirety of human experience in a few short, concentrated hours, rebounding from comedy to tragedy and back again. This ping-ponging of emotion is one of the great joys of the piece and the thing that I find truest about its storytelling. In the end, the travelers express themselves most profoundly in their defense of the Refugee. In recognizing the need of the weakest in their company, they rise above their individual situations and demonstrate their common humanity. What surprises and delights us is not only this act of solidarity but the unexpected compassion it inspires in the Immigration Officer. That each of us is capable of pity and of true change is one of the ideas that lingers long after the travelers have finally taken off to their destinations and their new, and we hope improved, lives. •