Lyric 2022-2023 Special-The Brightness of Light
Lyric Opera of Chicago | 10 Program continued Lighting Designer: Chris Maravich Stage Manager: Daniel Sokalski Assistant Stage Managers: Peggy Stenger, Amy Thompson Musical Preparation: William C. Billingham, Stefano Sarzani Wardrobe, Hair, and Makeup: Wendy McCay, Sarah Hatten “Almost Like Being in Love” RENÉE FLEMING / ROD GILFRY from Brigadoon (Alan Jay Lerner & Frederick Loewe) “Some Enchanted Evening” ROD GILFRY from South Pacific (Richard Rodgers & Oscar Hammerstein II) “Till There Was You” RENÉE FLEMING / ROD GILFRY from The Music Man (Meredith Willson) The Sound of Music Overture (Richard Rodgers) “Hello, Stanley, Do You Mind?” RENÉE FLEMING / ROD GILFRY “You Should Just Know The Line” ROD GILFRY from A Streetcar Named Desire (André Previn) “The Diva” RENÉE FLEMING (Andrew Lippa) “Joey, Joey, Joey” ROD GILFRY from The Most Happy Fella (Frank Loesser) “Winter/Love and Love Alone” RENÉE FLEMING from The Visit (John Kander & Fred Ebb) “People Will Say We’re in Love” RENÉE FLEMING / ROD GILFRY from Oklahoma! (Richard Rodgers & Oscar Hammerstein II) The Brightness of Light published by Aperto Press (BMI).All Rights Reserved. Sole Agent: Bill Holab Music.“Almost Like Being In Love” presented under license from G. Schirmer Inc.“Some Enchanted Evening,” Overture to The Sound of Music ,“People Will Say We’re in Love” licensed by Concord Music Publishing.“You Should Just Know The Line” and “Hello, Stanley, Do You Mind?” from A Streetcar Named Desire by André Previn presented under license from G. Schirmer Inc. and Associated Music Publishers, copyright owners.“Joey, Joey, Joey” and “Till There Was You” presented under license from Music Theatre International (MTI). Renée Fleming and Rod Gilfry appear by arrangement with IMG Artists, www.imgartists.com . Ms. Fleming is an exclusive recording artist for Decca and Mercury Records (UK). Ms. Fleming’s jewelry is by Ann Ziff for Tamsen Z. • www.reneefleming.com Projections & Supertitle Programming by Paul Vershbow • Text Animation by David Biedny Research by Susan Hormuth and Mary Recine • Typography Bo G. Eriksson This program would not have been possible without the extraordinary archival resources and generous cooperation of the Georgia O’Keeffe Museum and the Beinecke Rare Book & Manuscript Library.
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