Lyric Opera 2024-2025 Issue 9 - A Wondrous Sound

11 | Lyric Opera of Chicago ENRIQUE MAZZOLA CONDUCTOR Lyric’s music director — only the third in the company’s history — is renowned as an expert interpreter and champion of bel canto opera and Verdi repertoire, and as a specialist in French repertoire. The Italian conductor made his Lyric debut with Donizetti’s Lucia di Lammermoor in 2016/17. Mazzola is Principal Guest Conductor at the Deutsche Oper Berlin and, from 2022 to 2024, served as the first ever Conductor-in-Residence at the Bregenz Festival. He served as Artistic and Music Director of the Orchestre national d’Ile de France from 2012 to 2019. Symphonic guest work has included the London Philharmonic, Philharmonia Orchestra, Vienna Symphony, Orchestre National de France, and Oslo Philharmonic. He has conducted at the Metropolitan Opera, La Scala, and the major houses of Florence, Berlin, Zurich, Moscow, and Tokyo, in addition to a historic Meyerbeer cycle for Deutsche Oper Berlin. Past major European festivals have included Glyndebourne (including DVD releases of Il barbiere di Siviglia , Poliuto , and Don Pasquale ), new productions in 2019 for Bregenz ( Rigoletto and Madama Butterfly ) and Salzburg ( Orphée aux Enfers ), Pesaro (Rossini Opera Festival), Venice, and Aix- en-Provence. Mazzola was born in Barcelona, Spain, into a musical family, and grew up in Milan, where he studied violin and piano, earning diplomas in composition and orchestral conducting at the Conservatorio Giuseppe Verdi in Milan. Enrique Mazzola is supported by the John D.and Alexandra C.Nichols Endowed Chair. MICHAEL BLACK CHORUS DIRECTOR The Australian chorus director joined Lyric full time in the 2012/13 Season, after having served as interim director the season before. He was named Head of Music at Lyric, a new position, in the 2023/24 Season. Black was Chorus Director at Opera Australia in Sydney from 2001 to 2013, and has worked in this capacity for such distinguished organizations as the Edinburgh International Festival and Opera Holland Park (London), and, in Australia, the Sydney Symphony Orchestra, the Philharmonia Choir, Motet Choir, the Cantillation chamber choir, and the Melbourne Symphony Orchestra. In Chicago, Black became the first chorus director to work with the choruses of Lyric, the Chicago Symphony Orchestra, and the Grant Park Music Festival, where he served for six seasons, including preparation of The Damnation of Faust chorus and Haydn’s Creation . He has lectured or given masterclasses at the University of Chicago and Northwestern University, and in 2025 will work with the Young Artists at Opera Australia and the apprentice singers at the Santa Fe Opera. Black has served as chorus director for close to 140 different operas on four continents, and his work has been recorded and/or aired on ABC, BBC, PBS, for many HD productions in movie theaters, and on television. Michael Black is supported by the Howard A. Stotler Chorus Director Endowed Chair. Artist profiles

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