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L Y R I C O P E R A O F C H I C A G O

October 6 - 20, 2018

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17

Christine Goerke

first had Lyric audiences screaming

on their feet with her triumphant debut as Strauss’s

Elektra to open the 2012/13 season. Her Cassandre in

Berlioz’s massive

Les Troyens

was rapturously received

in Lyric's 2016/17 season premiere, and her fierce,

tender, and terrified portrayal of Brünnhilde, Wotan’s

favorite daughter in

Die Walküre

, dazzled audiences

and critics at Lyric last season. That installment

ended with her sleeping encircled by magic fire.

She returns to be awoken to the joys and terrors of

love in the final act of

Siegfried

this November, as

Wagner’s

Ring

cycle continues to roll out in Lyric’s

splendid new production. She is deeply steeped in this

character, with additional

Ring

cycle engagements at

The Metropolitan Opera, Houston Grand Opera, and

Canadian Opera Company.

“I am very lucky to have the chance to inhabit

a lot of incredible characters onstage, but admittedly

following Brünnhilde’s journey through the

Ring

cycle

has to take top honors,” Goerke declares. “She is a

headstrong, ‘know it all’ teen in

Die Walküre

– albeit

a well-meaning one. She discovers that she has the

wisdom and strength of her mother [the earth-goddess

Erda] and is able to not only stand up for what she

feels is right, but she does so and stands against her

father, whom she loves more than anything.

get what she wants, although when others

are around she behaves herself fairly well.”

What are her character’s strengths? “Well,

she is certainly persistent, and she's very in

touch with her emotions – especially her

anger and despair!”

Wall finds Elettra temperamentally

quite a departure from her previous roles.

“I am really looking forward to chewing

the scenery a little more than I usually

get to do in a Mozart role,” she says. “I

usually play the soprano character who

lives happily ever after, so this will be

something quite different. I think in this

opera, she functions a little bit as a villain,

as the audience absolutely roots for Ilia and

Idamante to wind up together – but when

I've seen the opera, the audience also really

enjoys Elettra's histrionics, especially in

Act Three. I can't help but feel badly for

her as well – haven’t we all experienced an

unrequited love at some time in our lives?

“I have a strong personality myself,

and it will be fun to let loose and be a bit

less repressed onstage with emotions that

our society tends to look unfavorably upon

– like anger, rage, and vengeance!”

Erin Wall at Lyric

as Konstanze in

The Abduction

from the Seraglio.

DAN REST

ALEXANDER VASILJEV

ARIELLE DONESON

Christine Goerke at Lyric as

Cassandre in

Les Troyens

.

TODD ROSENBERG