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RAVINIA’S STEANS MUSIC INSTITUTE
Treasured
Fried
oms
Miriam Fried feels privileged to share and shape the future
By Kyle MacMillan
In the fall of 1993,
Miriam Fried
had a conversation with the head of the
Ravinia Festival that would steer the
esteemed violinist’s career in an unex-
pected and fulfilling new direction.
Asked to expand her summer
teaching time at Ravinia’s Steans Music
Institute, the festival’s internationally
recognized summer conservatory, Fried
first wanted to know who was going to
replace the departing director of its Pro-
gram for Piano and Strings. She called
and posed that question to Zarin Mehta,
then executive director of Ravinia, and
he astonished her by asking if she would
take the job.
“I was flabbergasted,” Fried remem-
bers. “I didn’t know what to say.”
But after thinking about it for a few
days, Fried agreed to accept the posi-
tion, and this summer will mark her
25th year as program director. Far ex-
ceeding the tenure of her two predeces-
sors—Robert Mann (1988) and Walter
Levin (1989–93), she has become the
enduring face and soul of the program.
Celebrating 25 years at Ravinia’s Steans MUsic Institute
BENOIT ROLLAND