Ravinia_2018_Week

Mary Halvorson, Dan Weiss, Jane Monheit,

Darcy James Argue, Jen Shyu, Rajna Swamina-

than, and Matt Mitchell. He has also published

a book,

Fundamentals of Guitar

on Mel Bay;

received grants from Chamber Music America,

the Jerome Foundation, and the Mid-Atlantic

Arts Foundation; earned degrees from Harvard

University, the Manhattan School of Music, and

the Juilliard School; and taught at the Banff In-

stitute, The New School, Queens College, and,

currently, the University of Michigan–Ann

Arbor.

Russian-born cel-

list

Misha Quint

has a repertory

that ranges from

Bach to contem-

poraries such as

Alfred Schnittke,

Sophie Gubaiduli-

na, Shulamit Ran,

Nathan Davis, and

Stepan Lucky. He earned top honors from the

Global Music Awards in 2016 for his recording

of Davis’s

Matryoshka Blues

. Quint made his or-

chestral debut at age 13 after winning Saint Pe-

tersburg’s Boccherini Competition, and in 1992,

having moved to the United States, he made his

New York recital and orchestral debuts at the

92nd Street Y and Avery Fisher Hall. He has also

given recitals at major venues in England, Ger-

many, Switzerland, Ireland, Italy, and much of

Eastern Europe, partnering with such artists as

Nikolai Znaider, Vadim Repin, Shlomo Mintz,

Julian Rachlin, and Jean-Bernard Pommier.

Quint is the founder and music director of the

InterHarmony Music Festival in both Germany

and Italy, as well as the InterHarmony Concert

Series at Carnegie Hall and the Modern Muse-

um of Art in Fort Worth.

Theresa Bogard

is an active per-

former combining

varied

interests

in historical per-

formance,

con-

temporary music,

chamber music,

and the music of

women compos-

ers. She studied piano at the Sydney Conserva-

tory of Music, University of Colorado–Boulder,

and Eastman School of Music. In 1988, she re-

ceived a Fulbright Grant to study fortepiano at

the Royal Conservatory of the Hague, and she

was a top-prize winner in the International

Mozart Fortepiano Competition in Bruges, Bel-

gium, the following year. Bogard has presented

programs of solo and chamber music across the

United States, Mexico, New Zealand, Australia,

Austria, Bolivia, Korea, Indonesia, China, and

Brazil, and she is featured on a recording of pia-

no works by Louise Talma. Sought after as a col-

laborative pianist, Bogard can also be heard on

two recordings by saxophonist Scott Turpen, a

disc of flute and piano music by Eastern Europe-

an composers with Nicole Riner, and a recently

released recording of chamber works by Jennifer

Higdon.

Julia

Coronelli

recently complet-

ed a fellowship as

principal harpist

of the New World

Symphony. Born

in Chicago, she

began

playing

the harp at age 4

and has earned

a BM from the Chicago College of Perform-

ing Arts and an MM in Harp Performance

from The Juilliard School. Coronelli has been a

guest of orchestras around the world, including

the Chicago Symphony Orchestra (on its East

Coast tour), New York Philharmonic, City of

Birmingham Symphony Orchestra, Saint Louis

Symphony, San Diego Symphony, and Milwau-

kee Symphony Orchestra within the past year.

She has also been heard on recordings and live

on NPR, WFMT and WQXR, and PBS’s

Great

Performances

. Coronelli regularly promotes new

music with the New Juilliard Ensemble, Axiom,

and Syzygy New Music, as well as on the CSO’s

MusicNow series and Tanglewood’s Festival of

Contemporary Music.

Gwen Dease

professor of per-

cussion at Mich-

igan State Uni-

versity’s College

of Music and is

on the faculty of

the Brevard Mu-

sic Center, having

previously

held

positions at the Filarmonica Joven de Colombia

and Interlochen Arts Camp. She began studying

music at age 2 on the piano and violin, and she

maintains an active career as a solo/chamber

musician, performing throughout the United

States, Asia, and South America. Dease is also

currently principal percussionist of the Lansing

Symphony Orchestra and Brevard Music Center

Orchestra, and she has been a guest of the De-

troit Symphony Orchestra, Rochester Philhar-

monic, Moscow Chamber Orchestra, and Solisti

New York Orchestra, among others. Passionate

about new music, she has participated in con-

sortia to commission new works from Alejan-

dro Vinao, Peter Klatzow, Paul Lansky, Martin

Bresnick, John Serry, and Roshanne Etezady.

Her discography includes four solo albums,

most recently

Beguiled

on Origin Classical, and

several collaborations, including a recording

of Philip Glass’s Double Timpani Concerto for

Naxos.

ar al rs , a

eiss, Ja e

eit,

arc Ja es r e, Je

, aj a

a i a-

t a , a att itc ell. e as als

lis e

e t ls f

it r

el a ;

recei e ra ts fr

a er

sic

erica,

t e Jer e

ati , a t e i - tla tic

rts

ati ; ear e e rees fr ar ar

i ersit , t e a atta c l f

sic, a

t e J illiar c l; a ta t at t e a I -

stit te,

e e c l,

ee s

lle e, a ,

c rre tl , t e

i ersit f

ic i a

r r.

ssia - r cel-

list

i t

as a re ert r

t at ra es fr

ac t c te -

raries s c as

lfre c itt e,

ai li-

la it a ,

at a a is, a

te a

c . e ear e t

rs fr t e

l al

sic

ar s i 1 f r is rec r i

f a is’s

try s l es

i t a e is r-

c estral e t at a e 13 a er i i ai t e-

ters r ’s

cc eri i

etiti , a i 1 ,

a i

e t t e

ite tates, e a e is

r recital a rc estral e ts at t e

treet a er is er all. e as als

i e recitals at aj r e es i

la , er-

a ,

itzerla , Irela , Ital , a

c f

aster

r e, art eri it s c artists as

i lai

ai er, a i e i ,

i tz,

J lia ac li , a Jea - er ar

ier.

i t is t e f

er a

sic irect r f t e

I ter ar

sic esti al i t er a

a Ital , as ell as t e I ter ar

cert

eries at ar e ie all a t e

se-

f rt i rt

rt .

eres

is a acti e er-

f r er c i i

arie

i terests

i ist rical er-

f r a ce,

c -

te rar

sic,

c a er

sic,

a t e

sic f

e c

ers. e st ie ia at t e

ser a-

tory of Music, University of Colorado–Boulder,

a ast a c l f

sic. I 1 , s e re-

cei e a l ri t ra t t st f rte ia at

t e

ser at r f t e a e, a s e

as a t - rize i er i t e I ter ati al

zart rte ia

etiti i r es, el-

i , t e f ll i ear.

ar as rese te

r ra s f s l a c a er

sic acr ss t e

United States, Mexico, New Zeala ,

stralia,

stria,

li ia,

rea, I

esia,

i a, a

razil, a s e is feat re a rec r i f ia-

r s

ise al a.

t a er as a c l-

la rati e ia ist,

ar ca als e ear

t rec r i s sa

ist c tt

r e , a

isc f te a ia

sic aster r e-

a c

sers it ic le i er, a a rece tl

release rec r i f c a er

r s Je ifer

J li

r elli

rece tl c let-

e a fell s i as

ri ci al

ar ist

f t e e

ica , s e

e a

la i

t e ar at a e

as ear e

fr t e

ica

lle e f erf r -

i rts a a

i ar erf r a ce

fr e J illiar c l.

r elli as ee a

est f rc estras ar

t e

rl , i cl i

t e

ica

rc estra ( its ast

ast t r), e

il ar

ic, it f

ir i

rc estra, ai t

, a ie

, a il a -

rc estra it i t e ast ear.

e as als ee ear rec r i s a li e

, a

’s

re t

erf r ces

r elli re larl r tes e

sic it t e e J illiar se le,

i ,

a z e

sic, as ell as t e

’s

sic series a a le

’s esti al f

te rar

sic.

e se

r fess r f er-

c ssi at

ic -

i a

tate

ersit ’s

lle e

sic a is

t e fac lt f

t e re ar

sic e ter, a i

re i sl

siti s at t e ilar

ica J e e

a I terl c e rts a . e e a st i

sic at a e t e ia a i li , a s e

ai tai s a acti e career as a s l /c a er

sicia , erf r i t r

t t e

ite

tates, sia, a

erica. ease is als

c rre tl ri ci al erc ssi ist f t e a si

rc estra a re ar

sic e ter

rc estra, a s e as ee a est f t e e-

tr it

rc estra,

c ester

il ar-

ic,

a er rc estra, a listi

e r rc estra, a

t ers. assi ate

a t e

sic, s e as artici ate i c -

s rtia t c

issi e

r s fr leja -

r i a , eter latz , a l a s , arti

res ic , J err , a

s a e teza .

er isc ra i cl es f r s l al

st rece tl

eg ile

ri i lassical, a

se eral c lla rati s, i cl i a rec r i

ili lass’s

le i a i

cert f r

a s.

YOU’RE INVITED!

All

Bridges

concert

ticketholders are

invited to stay for a

free post-concert

reception and toast

to the David Baker

Award–winning

composers at the

Lawn Bar.

JUNE 1 – JUNE 10, 2018 | RAVINIA MAGAZINE

111

J E J E ,

| R I I

I E