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Since 2000, jazz players from across the nation have been hand-picked by the RSMI Program for Jazz faculty

to spend a week together performing in and composing for ensembles of varying instrumentation. The

Bridges

competition challenged composers to expand on that with music for jazz trio and classical string quartet.

T

hat night

will also mark the

rst summer entry in celebrating

the th anniversary of Ravin-

ia’s Steans Music Institute, the festival’s

summer conservatory that connects

some of the best young professional

musicians from around the world with

an esteemed faculty for concerts, master

classes, and more learning opportunities

onsite in the John D. Harza Building

and from its Bennett Gordon Hall

stage. “For decades, our musical leaders

and supporters dreamed of having a

college-level conservatory right here

at Ravinia, and they made it happen in

. It’s become a major source of pride

for Ravinia, and an important oppor-

tunity for performers,” said Ravinia

President and CEO Welz Kau man.

It was in the spirit of the intense and

aspirational goals of RSMI’s ambitious

programs for jazz and classical mu-

sicians—as well as the bold musical

vision of Leonard Bernstein, whom

Ravinia has just gotten underway

celebrating with an expansive multiyear

tribute—that

Bridges

, an international

jazz and classical fusion composition

competition, was born. It o ered an

imaginative challenge for artists ages

– (the same age range as the –

performers invited to RSMI each year)

to compose original works speci cally

for a string quartet and a jazz trio. “ e

Bridges

competition was conceived to

help give young professionals a place on

the map—if not the world stage—which

is precisely what RSMI has been grant-

ing singers and instrumentalists for the

past three decades,” Kau man said.

In addition to a commemoration of

the anniversary, the

Bridges

competition

and concert is a tribute to the late David

Baker, the highly lauded jazz composer/

performer and distinguished professor

at Indiana University’s Jacobs School of

Music who had served as the director

of the RSMI Program for Jazz since its

inception in

. e winners of the

competition share equally in the David

Baker Prize.

e present directors of the RSMI

Program for Jazz served as adjudicators,

receiving submissions—works were

required to be minutes long and

never previously performed—between

November and February and spending

the next month selecting the winners,

who were announced in March: Sam

Blakeslee, Zach Bornheimer, and Gene

Kni c. “We picked three works that

celebrate RSMI, will entertain our

audiences, and will live on beyond this

th anniversary year,” said pianist and

co-director Billy Childs, who is known

for inventive, hybrid projects and who

this year won his h career Grammy

Award with the album

Rebirth

.

In addition to receiving the ,

David Baker Prize, each composer will

have his work premiered on June in

Ravinia’s Martin eatre, on a program

that also features works from each of the

three judges. Childs will be represented

by his

Into the Light

, and bassist Rufus

Reid by his

Beguiled

; saxophonist Na-

than Davis, who passed away in April,

will be honored in a performance of his

Matryoshka Blues

.

A

ccording to Reid,

who

began composing just about

a decade ago at age , the

Bridges

competition sits at the forefront

of an emerging classical–jazz fusion

RAVINIA MAGAZINE | JUNE 1 – JUNE 17, 2018

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