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7:00 PM FRIDAY, AUGUST 24, 2018

PAVILION

THE RIGHTEOUS BROTHERS

THE BEACH BOYS

Ravinia debut

THE RIGHTEOUS BROTHERS

In the early

s, singers Bill Medley and Bob-

by Hat eld met through the mutual appreciation

of their respective vocal groups, the Paramours

and the Variations. Together they formed a new

version of the Paramours in

and signed

with a small local label, Moonglow, but the

group soon fell apart. Rather than abandon

the contract and their musical simpatico, Med-

ley and Hat eld carried on as a duo, renaming

themselves e Righteous Brothers. ey scored

some moderate hits while working with Moon-

glow, most notably two tracks from their debut

album,

Right Now!

: “My Babe” and “Little Latin

Lupe Lu” (which was covered later in the ’ s

by e Kingsmen and several other groups). e

Brothers had a banner year in

. Between

stints opening for the rst American tours of

e Beatles and

e Rolling Stones, the duo

helped inaugurate the TV variety show

Shin-

dig!

and became regular guests. e crystalizing

moment for

e Righteous Brothers, however,

was when they met Phil Spector later that same

year. To that legendary producer’s ears, the duo

epitomized the newly coined “blue-eyed soul”

sound, so he worked out a deal to allow them

to record for his Philles label. As a result, in

e Righteous Brothers hit the airwaves with

“You’ve Lost

at Lovin’ Feelin’,” which would

become (according to BMI) the most played

song in the history of American radio. e duo

had a heavy hand in producing further albums

with Spector, though he worked on polishing up

the singles into more major hits: “Just Once In

My Life,” “Unchained Melody,” and “Ebb Tide.”

When the Brothers le Spector for the Verve la-

bel, Medley assumed production duties, and the

duo quickly found further chart-topping fame

with “(You’re My) Soul and Inspiration” in

.

Medley and Hat eld went separate ways in

,

but just weeks a er reuniting in

, the duo re-

captured “that lovin’ feelin’” with a recording of

“Rock and Roll Heaven.”

e Righteous Broth-

ers were inducted into the Rock and Roll Hall

of Fame in

, just months before Hat eld’s

death. Bucky Heard joined Medley for the reviv-

al of the duo in

. e Righteous Brothers are

making their Ravinia debut.

TIMO ANDRES,

piano

A native of California, pianist and composer

Timo Andres grew up in Connecticut and now

resides in New York. He completed both a bach-

elor’s and a master’s degree at the Yale School of

Music, and he is one-sixth of the composition

collective Sleeping Giant, with whom he has

written for Carnegie Hall, the Albany Sym-

phony, and Chicago’s eighth blackbird, among

others. Andres’s notable works include

Every-

thing Happens So Much

, a commission from the

Boston Symphony;

Strong Language

, a string

quartet for the Takács Quartet commissioned

by Carnegie Hall and the Shriver Hall Con-

cert Series;

Steady Hand

, a two-piano concerto

commissioned by the Britten Sinfonia and pre-

miered at London’s Barbican with Andres and

pianist David Kaplan; and

e Blind Banister

, a

piano concerto for Jonathan Biss commissioned

by the Saint Paul Chamber Orchestra, Cara-

moor, and Orchestra of Saint Luke’s that was a

Pulitzer Prize nalist.

is season he cre-

ated works for the Music Academy of the West,

cellist Inbal Segev and the Metropolis Ensemble,

and Ravinia’s Steans Music Institute. Andres has

also written large-scale works for the Orpheus

Chamber Orchestra, Los Angeles Chamber Or-

chestra, and Los Angeles Philharmonic, as well

as a piano quintet for Biss and the Elias String

Quartet, commissioned by Carnegie Hall, Wig-

more Hall, Amsterdam’s Concertgebouw, and

the San Francisco Performances series, among

other chamber pieces. As a pianist, Andres has

given recitals at Lincoln Center, Wigmore Hall,

the Phillips Collection, Le Poisson Rouge, and

National Sawdust, among a wide range of ven-

ues. He recently performed the premiere of a

concerto written for him by Ingram Marshall

with John Adams and the LA Phil, and he has

toured internationally with Philip Glass, pre-

senting the composer’s complete Etudes in a duo

recital. At Glass’s nomination, Andres recently

received Toronto’s Glenn Gould Protégé Prize.

Timo Andres was on the faculty of RSMI ear-

lier this summer for the premiere of his Piano

Trio, commissioned by Ravinia for RSMI’s th

anniversary. Tonight Andres makes his Ravinia

concert debut.

RAVINIA MAGAZINE | AUGUST 20 – AUGUST 26, 2018

118