Rod Caspers,
co-producer & stage director
Rod Caspers served as the executive director
of university events at the University of Texas–
Austin, creating and producing special events.
Prior to that, he served as the executive director
of creative services for the UT system, where he
and colleagues received ve Lone Star Emmy
Awards for creating/producing the PBS series
State of Tomorrow
. In New York, Caspers served
as associate director of GreenPlays, creating and
directing several new musicals and cabarets,
and in Texas he produced/directed the Tex-
as Performing Arts Center’s
th-anniversary
gala and the We’re Texas Milestone Celebration.
Caspers has directed numerous productions,
including
Big River
,
e Secret Garden
,
Honk!
,
Ordinary People
,
Assassins
,
Close Ties
,
e Lara-
mie Project
,
Holes
, and
e Rivers and Ravines
.
He also directed
e Bat
, Austin Lyric Opera’s
adaptation of Strauss’s
Die Fledermaus
. Stage
management credits include
e Radio City
Christmas Spectacular starring the Rockettes
(seven seasons) and
Jim Henson’s Musical World
at Carnegie Hall with the New York Pops, the
Muppets, and the casts of
Avenue Q
and
Sesame
Street
. Caspers staged the original production
of Conspirare’s
Considering Matthew Shepard
and, recently, a production with the Louisiana
State University A Cappella Choir for the Na-
tional Collegiate Choral Organization’s national
conference.
Elliott Forrest,
co-director & projection designer
Elliott Forrest is a Peabody Award–winning
broadcaster, director and producer. He is the
director of the upcoming PBS TV special of
Considering Matthew Shepard
and co-director
of its live tour. Elliott is the a ernoon host on
New York’s WQXR, host of the radio concerts of
the Chamber Music Society of Lincoln Center,
and has hosted more than concerts onstage at
Carnegie Hall. He is the author of the new clas-
sical work for families,
e Babbling Orchestra
.
He regularly produces/directs and designs sym-
phony concerts for such ensembles as the Los
Angeles and New York Philharmonics, Houston
and Atlanta Symphony Orchestras, Philadelphia
Orchestra, New Haven Symphony, Pasadena
Pops, and the Little Orchestra Society at venues
from the Hollywood Bowl to Lincoln Center.
Forrest is the executive and artistic director or
ArtsRock.org of Rockland County, NY, which
brings professional concerts and conversations
to its community. He has narrated performances
of Saint-Saëns’
Carnival of the Animals
, Proko-
ev’s
Peter and the Wolf
, Stravinsky’s
Soldier’s
Tale
, and Britten’s
Young Person’s Guide to the
Orchestra
. For years, he was on A&E Televi-
sion as host of
Breakfast with the Arts
, and he
appeared on the original
Gong Show
on NBC.
CRAIG HELLA JOHNSON,
composer, conductor, and piano
As Conspirare’s founder and artistic director,
Craig Hell Johnson is known for cra ing musical
journeys that create deep connections between
performer and listener. A unique aspect of his
programming is his signature “collage” style:
marrying music of many styles from classical to
popular to create moving experiences. Johnson is
also music director of the Cincinnati Vocal Arts
Ensemble and conductor emeritus of the Victoria
Bach Festival. He has served as a guest conductor
with Austin Symphony, San Antonio Symphony,
Oregon Bach Festival, Harvard University, and
many other ensembles throughout Texas, the
United States, and abroad.
rough these activ-
ities, as well as Conspirare’s many recordings on
the internationally distributed Harmonia Mundi
label, Johnson brings international recognition
to the Texas musical community. Johnson was
director of choral activities at the University of
Texas–Austin from
to
and remains an
active educator, teaching workshops and clinics
internationally. In fall
, he became the rst
artist-in-residence at the Texas State University
School of Music. As a composer and arranger,
Johnson works with G. Schirmer Publishing on
the Craig Hella Johnson Choral Series, featur-
ing specially selected composers as well as some
of his own original compositions and arrange-
ments. His music is also published by Alliance
Music Publications. Johnson’s rst concert-length
composition,
Considering Matthew Shepard
, was
premiered and recorded by Conspirare for a
CD release. Johnson’s accomplishments have
been recognized with numerous awards, includ-
ing a
Grammy for Best Choral Performance
with Conspirare. Chorus America granted him
the Michael Korn Founders Award for Devel-
opment of the Professional Choral Art in
,
and the Texas state legislature named him Texas
State Musician for
. Other honors include
induction into the Austin Arts Hall of Fame in
, Chorus America’s
Louis Botto Award
for Innovative Action and Entrepreneurial Zeal,
and the
Citation of Merit from internation-
al professional music fraternity Mu Phi Epsilon.
Johnson studied at St. Olaf College, e Juilliard
School, and the University of Illinois, and earned
his doctorate at Yale University.
Conspirare gratefully acknowledges
the following supporters of
Considering Matthew Shepard
:
Season Sustaining Underwriter:
Agent of Change Sponsors:
Anonymous, Fran & Larry Collmann, Legacy
of Sound, One Skye Foundation Inc., e
Fetzer Institute, e Kodosky Foundation
Advocate Sponsors:
Alice Kleberg Reynolds Foundation, Casey
Blass & Lee Manford, Eric Copper, Crutch and
Danna Crutch eld, Beverly Dale, Dee Garcia,
Johanna & Mitch Vernick
Catalyst Sponsors:
Anonymous, Jim Arth, Ginger & Michael
Blair, Carl Caricari & Margaret Murray Miller,
Chris & Dennis Cavner, Catherine Clark, Mela
Sarajane Dailey & Peter Bay, David Bohnett
Foundation, Virginia & Robert Dupuy, Susanna
& Richard Finnell, Sandy & Bill Fivecoat, Mary
Nell Frucella, Evelyn & Rick Gabrillo, Karen
& Paul Galindo, Deborah Glusker, Danny
Hamilton & Paul Hilliard, Lara & Robert
Harlan, Richard Hartgrove & Gary Cooper,
Carr Hornbuckle & Jack Leifer, Ron Jernigan,
Carolyn J. Keating, Tina & Dale Knobel, Angie
& Steve Larned, Emily Little, omas Lukens,
Stefanie Moore & Todd Keister, Toyota Motor
N.A., Linda & Robert Ramsey, Susan & Jack
Robertson, Dr. Joni Wallace, Julia & Patrick
Willis, James Wood, and individuals too
numerous to list here.
Support also comes from
the National Endowment for the Arts,
Texas Commission on the Arts, and
the Cultural Arts Division of the City of Austin
Economic Development Department.
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