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Since 1999, Fried has

convened an ensemble

of recent RSMI alumni

every spring to embark

upon a national tour,

even traveling to Cuba

for performances and

master classes. These

tours have featured

violinist InMo Yang,

violists Shira Majoni

and Dana Kelley, and

cellist Haran Meltzer

in 2016 (above, left

to right); violinist Je

Hye Lee, cellist Narek

Hakhnazaryan, pianist

Michael Brown, and

violist Vicki Powell in

2011 (left top, left to

right); and violinist

Maria Ioudenitch,

cellist Zlatomir Fung,

and violists Zoë

Martin-Doike and

Zhanbo Zheng this

spring (left bottom,

left to right).

It’s one thing to waltz in here

and teach and leave, but it’s quite

another to be responsible for so

much of what happens here

.

students’ colleagues—who say that their

summers there completely changed the

way they thought about music. Having

that e ect on people for years is truly

wonderful.”

Winner of the Paganini Competition

in

and the Queen Elisabeth Music

Competition in

, Fried has enjoyed

a top-drawer solo career, performing

with many of the world’s major orches-

tras. e Israeli violinist is particularly

known for her interpretations of Bach’s

sonatas and partitas for solo violin, per-

forming them twice at Ravinia (in

and

) and recording them for the

Lyrinx label in

and again for Nim-

bus in

, following a year’s intense

study. She even created an online video

course about the works, much like her

son has for Beethoven’s piano sonatas.

Fried began teaching in

at Indi-

ana University and has held a full-time

post at the New England Conservatory

since

. “I love teaching,” she says. “I

really do. I’m not a missionary, so it’s not

a mission in that sense. But I do believe

that the most signi cant way you can re-

ally impart your beliefs about [the fun-

damentals of] the profession is through

teaching.” at reach extended in

when Fried was invited to join the RSMI

faculty. Because she has been a cham-

ber-music devotee since she was ,

including a -year stint as rst violinist

of the Mendelssohn String Quartet, she

thought the program was a good t for

her. Two years later, her manager got a

call wondering if she would be willing to

PATRICK GIPSON/RAVINIA

RAVINIA MAGAZINE | JUNE 18 – JULY 8, 2018

28