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PAUL CAREY,
costume
designer
Paul Carey has created
costumes for theater,
opera, film, and com-
mercial media. Opera
credits include Gregory
Spears’s
Fellow Travel-
ers
(Lyric Opera of Chicago, Prototype Festi-
val, Cincinnati Opera), Mason Bates’s
The (R)
evolution of Steve Jobs
(Santa Fe Opera), Bern-
stein’s
West Side Story
and
Mass
(Philadelphia
Orchestra), Douglas Cuomo’s
Doubt
(Minneso-
ta Opera), and
productions with San Francisco
Symphony, Virginia Opera, Palm Beach Opera,
Central City Opera, Juilliard, Wolf Trap, and
Caramoor. Theater projects include the Public
Theater’s
Public Works
, encompassing the world
premieres of
The Odyssey
,
The Winter’s Tale,
and
The Tempest
;
Kansas City Choir Boy
starring
Courtney Love (Prototype Festival, on tour);
productions at the Park Avenue Armory, Long
Wharf, A.R.T, The Old Globe, Yale Rep, and
NYU. Upcoming engagements include designs
for Philadelphia Orchestra, Seattle Opera, San
Francisco Opera, and Indiana University.
AL CRAWFORD,
lighting designer
Al Crawford has been
the lighting director for
Alvin Ailey American
Dance Theater for 21
years. He has designed
lighting for such cho-
reographers as Judith Jamison, Robert Battle,
Garth Fagan, Matthew Rushing, Ron Brown,
George Faison, Mark Dendy, Trey McIntyre,
Hope Boykin, Osnel Delgado, and Jeanguy
Saintus, among many others. Crawford has also
been involved in such projects as architectural
installations at NY Central Synagogue, Bern-
stein’s
Mass
for Philadelphia Orchestra, Haiti’s
Ayikodans and Cuba’s Malpaso Dance Com-
panies, BAM’s Dance Africa, state dinners for
the Obama administration, SeaWorld’s Elec-
tric Ocean, Cedar Point’s Luminosity, Holland
America and Azamara Cruise Lines, Madison
Square Garden Sports Entertainment, and brand
events for Spotify, Google, YouTube, Samsung,
Dom Perignon, and Lamborghini, as well as nu-
merous private social events internationally. He
is a member of United Scenic Artists (USA-829)
and IATSE (Local 635), and he holds a BFA from
the North Carolina School of the Arts, where he
is on the board of trustees.
NEVIN STEINBERG,
sound designer
Nevin Steinberg’s recent
projects include the
game-changer
Ham-
ilton
on Broadway, in
London, and on na-
tional tour; the cutting
edge
Dear Evan Hansen,
and Steve Martin and
Edie Brickell’s
Bright Star
on Broadway. Stein-
berg serves as the audio consultant for the Stern
Auditorium at Carnegie Hall. For Carnegie’s
Weill Music Institute, he has designed large-
scale events at unusual venues, including Leon-
ard Bernstein’s
Mass
and
West Side Story
, both
conducted by Marin Alsop. He holds a bache-
lor’s degree from Harvard College in English
and American Literature and Language, and in
2011 he completed a Certificate Program in Arts
Management at NYU’s School for Continuing
Professional Studies. Steinberg is a trustee of the
Town Hall Foundation Inc., a non-profit orga-
nization dedicated to the preservation and sup-
port of the Town Hall, a cultural and education
center as well as a national historic landmark in
the center of Times Square.
RACHEL TOBIAS,
production stage
manager
As its stage manager,
Rachel Tobias recently
finished a successful
run of
Jesus Christ Su-
perstar
at Lyric Opera
of Chicago. For the past 17 seasons, she has
managed the stage or assisted for more than 90
operas and five musicals at Lyric Opera of Chi-
cago. Since 2009, Tobias has spent part of each
summer as the lead stage manager for opera
programming at Ravinia. She has held similar
stage management positions with San Francisco
Opera, Michigan Opera Theater, Glimmerglass
Festival, Chicago Opera Theater, and various
theater companies throughout Chicago.
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