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the records. Somebody like [Arista

Records founder] Clive Davis, for exam-

ple—I saw the documentary on him and

I thought, shit, I have done

nothing

! He’s

discovered

everybody

.”

When it comes to his own ability to

discover the next great voice, Foster’s

not sure what “it” is that’s buried deep

within him, that allows him to do just

that. He singles out no one in particular

as his favorite collaborator, but they’ve

all been marvelous revelations to him.

“Who knew that Josh Groban loved

Radiohead, and was a funny, funny guy

who ended up hosting the Tony Awards,

writing his own music, playing in a rock

band. I was just looking for someone

who could sing like Bocelli,” Foster says.

“Who knew that Michael Bublé could

write hit songs? I just loved the way he

sang, and the moment I saw him walk

on stage and snap his ngers, I was

hooked. …Who knew that Celine Dion

would become [the powerhouse singer

and businesswoman] she has become?

She was a -year-old singer who just

blew me away.

“I look for slots [in the music world]

that are available. In years, nobody

has come close to try to challenge Bublé

or Groban [in their genres]. Rihanna

has to compete with Ariana [Grande]

who has to compete with Pink who has

to compete with Ed Sheeran for all those

Top Ten spots. Name me one person

who’s competing with Josh Groban or

Michael Bublé? I knew, for example, that

the Sinatra ‘slot’ was available because

Harry Connick Jr. had started acting

and didn’t really want to do that music

anymore. And Andrea [Bocelli] didn’t

want to do pop music at that time. So

I said I’ll make a record that sounds

like Bocelli and I’ll nd someone who

sounds like Bocelli to sing it.” e result

was Groban’s

self-titled, chart-top-

ping debut release.

As for his legacy, Foster keeps it sim-

ple: He did his best.

“If it has your name on it, it

better

be

the best you can ever do,” Foster says,

chuckling. “I got that advice years ago

from Quincy Jones.”

Miriam Di Nunzio is the Entertainment Arts Digital

Content Editor at the

Chicago Sun-Times

.

I don’twant to be

that

LA guy.

The ‘schmuck-songwriter-

who-thinks-he-can-get-

a-hit-on-Broadway’ guy.

I have immersedmyself

in the culture to get

some respect.

RAVINIA MAGAZINE | JULY 23 – AUGUST 5, 2018

34