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P R O F I L E S | L Y R I C O P E R A O F C H I C A G O

October 6 - 20, 2018

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RICARDO JOSÉ

RIVERA

(Schaunard)

Lyric debut

The

Puerto

Rican

baritone, a first-year

member of Lyric’s Ryan

Opera Center, returns to

the company’s mainstage

later this season to

portray Baron Douphol/

La traviata

. Rivera

has portrayed Guglielmo/

Così fan tutt

e at the

International Vocal Academy of Rome; sung

several recitals with the American Masters of

Opera Academy in Moscow; and performed in

scene and concert presentations as a participant

in Tel-Aviv’s International Vocal Arts Institute.

He has had repeat engagements at the Performing

Arts Center of San Juan and at the University of

Puerto Rico Theater, including Don Pasquale,

Gianni Schicchi, and Don Quixote/Ravel’s

Master Peter’s Puppet Show

(part of the 2016

Casals Festival). He recently earned his master’s

degree at Rice University’s Shepherd School of

Music, where his appearances included Fiorello/

The Barber of Sevill

e, Starveling/

A Midsummer

Night’s Dream

, and Marco/

Gianni Schicchi

.

He has also participated in numerous summer

programs, including VOICExperience in

Savannah and the Aspen Music Festival, where

he has appeared as Claudio/

Béatrice et Bénédict

and Angel 7 in Luke Bedford’s opera

Seven

Angels.

Ricardo José Rivera is sponsored by

Dr.

David H. Whitney and Dr. Juliana Chyu

, and

Drs. Joan and Russ Zajtchuk.

JAKE GARDNER

(Benoit, Alcindoro)

Previously at Lyric:

Brétigny/

Manon

(2008/09)

JulesMackenzieGoddard/

William Bolcom's

A Wedding

(2004/05, world premiere);

George Jones/

Street Scene

(2001/02).

The career of the distinguished American bass-

baritone has encompassed productions at the

Vienna Volksoper, Dresden’s Semperoper,

Glyndebourne, Dutch National Opera, the

Edinburgh Festival, and the major houses of San

Francisco, Los Angeles, Houston, Washington,

and Miami. For a decade he performed as

principal baritone with the Cologne Opera,

under the baton of music director James

Conlon. Recently Gardner sang his first Prince

Gremin/

Eugene Onegin

at Eugene Opera and

portrayed Ashby/

La fanciulla del West

(Virginia

Opera); Harold Ryan/Richard Auldon Clark’s

and Kurt Vonnegut’s

Happy Birthday Wanda

June

(Indianapolis Opera, world premiere); the

Hermit/

Der Freischütz

, his 100th role (Virginia

Opera); Sulpice/

La fille du régiment

(Honolulu);

Bartolo/

The Barber of Seville

(Eugene, San

Antonio); and Scarpia/

Tosca

(Piedmont Opera,

Opera Coeur d’Alene). Gardner has sung a

wide variety of operetta and musical theater,

including recent portrayals of Baron Zeta/

The Merry Widow

(LA Opera), Frederic/

A

Little Night Music

(Hawai’i Opera Theater),

Judge Turpin/

Sweeney Todd

(Houston Grand

Opera) and Buffalo Bill/

Annie Get Your Gun

and Mayor Shinn/

The Music Man

(both at

Glimmerglass Opera). This season’s highlights

include Gardner’s first Bailiff/

Werther

(Florida

Grand Opera), Sir Joseph Porter/

HMS Pinafore

(Eugene Opera), and Wagner’s

Ring Cycle in

One Night

(Binghamton Philharmonic).

MARIO ROJAS

(Parpignol)

Previously at Lyric:

Borsa/

Rigoletto

(2017/18).

The Mexican tenor, a

second-year Ryan Opera

Center member, who

returns toLyric’smainstage

later this season as Ruiz/

Il trovatore

and Gastone/

La traviata

, has portrayed Rodolfo/

La bohème

at Mexico City’s Palacio de Bellas Artes. Rojas is

an alumnus of the San Francisco Conservatory

of Music (Don José/

La tragédie de Carmen

,

Nemorino/

L’elisir d’amore

). He has also appeared

at the SFCM Gala with renowned pianist/coach

Warren Jones. One of the youngest singers ever

to receive the Plácido Domingo scholarship

from SIVAM (Mexico's most prominent young-

artist program), he has sung elsewhere in

Mexico as Don Ottavio/

Don Giovanni

and

Julian/Tomás Bretón’s

La verbena de la Paloma

.

Rojas has received the Marta Eggerth Kiepura

Award in the Licia Albanese-Puccini Foundation

International Vocal Completion, third place in

the Palm Springs Opera Guild Competition,

the Emerging Singers Award in the Opera Index

Vocal Competition, second place in the East Bay

Opera League competition, an Encouragement

Award from the Metropolitan Opera National

Council Auditions, and a grant from the Loren L.

Zachary Society for the Performing Arts.

Mario

Rojas is sponsored by the

Elizabeth F. Cheney

Foundation.

CHICAGO

CHILDREN’S CHOIR

Previously at Lyric:

Ten productions since

2000/01, most recently

Turandot

(2017/18);

Carmen

(2016/17);

Tosca

(2014/15).

Founded as a single

choir in Hyde Park at the height of the

civil rights movement in 1956, today the

Chicago Children’s Choir serves 4,800 youth

representing all 57 Chicago zip codes. The

CCC encompasses programs in 85 city schools

and 10 neighborhoods, an ensemble for young

male voices, and the world-renowned Voice of

Chicago. Under president and artistic director

Josephine Lee, Chicago Children’s Choir has

undertaken many highly successful national and

international tours, has been featured in national

broadcasts, including NBC’s

Today

,

Oprah

, and

the PBS series

From the Top: Live from Carnegie

Hall

, and was featured in the Chicago/Midwest

Emmy-winning documentary

Songs on the Road

to Freedom

(2008). A regular collaborator with

major Chicago musical organizations, CCC

has performed throughout the world, for many

dignitaries, and in performances with such

celebrities as Chance the Rapper, Luciano

Pavarotti, Beyoncé, Yo-Yo Ma, and Celine

Dion, among many others.

DOMINGO

HINDOYAN

(Conductor)

Lyric debut

The Venezuelan conductor,

who made a pre-season

appearance leading the

2018

Stars of Lyric Opera at

Millennium Park

concert,

enjoys a vibrant career leading internationally

acclaimed ensembles. Starting with the 2019/20

season, hewill serve as principal guest conductor of

the Polish National Radio Symphony Orchestra.

Highlights among many prestigious engagements

this season include debuts with the Vienna State

Opera (

Turandot

) and Barcelona’s Gran Teatre

del Liceu (

Luisa Miller

) plus symphonic concerts

with the Orchestre de Chambre de Paris. Last

season Hindoyan made acclaimed debuts at

the Metropolitan Opera (

L’elisir d’amore

), the

Mariinsky Theatre (

La bohème

), Oper Stuttgart

(

Tosca

), Semperoper Dresden (

La traviata

), and

L’Opéra de Monte-Carlo (

I puritani

). Recent

symphonic engagements include performances

with the Dresden Philharmonic, Hamburger

Symphoniker, Orchestre National de Bordeaux

Aquitaine, Orchestre National de Belgique,

and Malmö Symphony Orchestra. From 2013

to 2016 Hindoyan was first assistant to Daniel

Barenboim at the Berlin State Opera and has

since become a prominent guest conductor

there, having led a vast array of works including

La traviata, Tosca, L’elisir d’amore, La boheme,

The Barber of Seville, The Rake's Progress, Orfeo

ed Euridice,

and

The Rite of Spring

(ballet). Born

in Caracas, Venezuela, and originally a violinist,

Domingo studied conducting at Geneva’s

Haute Ecole de Musique. (

See Conductor's Note,

page 34.)

RICHARD JONES

(Director)

Previously at Lyric:

Hansel and Gretel

(2012/13, 2001/02).

Jenůfa

(2000/01).

The British director

debuted at London’s

Royal Opera House

directing an award-winning 1994 production

of the

Ring

cycle. He has returned for eight

productions, among them

Lady Macbeth of

Mtsensk, Anna Nicole

(world premiere), and

most recently

La bohème

(2017/18). Other

productions have included

Die Meistersinger von

Nürnberg, La fanciulla del West, Wozzeck,

and

Hansel and Gretel

(Welsh National Opera and