Previous Page  19 / 40 Next Page
Information
Show Menu
Previous Page 19 / 40 Next Page
Page Background

19

Table of Contents

S U M M E R 2 0 1 8

PROGRAM NOTES

bass drum instead, but for decades

Ravinia has had a set of cannons just

for this piece. Come watch them go

off in time with the music from the

lawn!

Both of the pieces of music that

feature a soloist on these concerts

were at first criticized for being too

hard or not written well for the solo

instruments—by the very same peo-

ple that Tchaikovsky wanted to dedi-

cate the pieces to! But Tchaikovsky

was very confident in his music, and

after a few years, both of those people

started to change their minds. On the

first night, you’ll hear another pianist

who studied at Ravinia’s Steans Music

Institute, Inon Barnatan, playing the

First Piano Concerto, and on the sec-

ond night you’ll hear Miriam Fried, the

violinist who has been the director

of the piano and string instruments

program at the Steans Institute for 25

years, playing the Violin Concerto.

8:00 p.m. Monday, July 23

Pavilion

Chicago Symphony Orchestra

Marin Alsop,

conductor

Makoto Ozone,

piano

Aaron Copland:

Appalachian Spring

George Gershwin:

Rhapsody in Blue

Igor Stravinsky:

The Rite of Spring

You might expect that because

Leonard Bernstein was a composer,

the music he would be most excited

to conduct for audiences would be

his own. But in fact, one of the things

he cared about most was introducing

audiences to

other

composers of his

and their lifetime. He was especially

devoted to sharing the music of his

mentor, Aaron Copland, just like

tonight’s conductor, Marin Alsop, is

dedicating this and five other con-

certs at Ravinia this summer to the

legacy of Bernstein, who was

her

mentor.

Bernstein was also passionate

about the music of Igor Stravinsky,

who resettled in the United States in

the middle of his life to escape the

danger of Europe in the 1940s. The

pieces by Copland and Stravinsky on

this concert were both written as bal-

lets, and both celebrate the season

of renewal: spring. (We may not have

had much weather that we would rec-

ognize as spring in Chicago this year,

so perhaps this music will make up

for it!) Copland’s

Appalachian Spring

is

about the American pioneers enjoy-

ing a new lifestyle while first moving

west from their first homes along the